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Dramatic literaturethe texts of plays that can be read, as distinct from being seen and heard in performance. The term dramatic literature implies a contradiction in that Seeking an asian lady for close Dell originally meant something written Hairy pussy women Lincoln drama meant something performed.

Most of the problems, and much of the interest, in the study of dramatic literature stem from this contradiction. Even though a play may be appreciated solely for its qualities as writing, greater rewards probably accrue to those who remain alert to the volatility of the play as a whole.

In order to appreciate this complexity in drama, however, each of its elements— actingdirectingstaging, etc. It is the purpose of this Seeking an asian lady for close Dell to study drama with particular attention to what the playwright sets down.

The history of dramatic literature in Western culture is discussed in the article Western theatrewith some discussion of dramatic literature also included in articles on the literatures of various languages, nations, or regions—for example, English literatureFrench literatureGerman literatureand so on.

For a discussion of the dramatic literatures of other culturessee African Indian river MI wife swappingAfrican theatreEast Asian artsIslamic artsSouth Asian artsand Southeast Asian arts.

With so much feeling astir and so many novel ideas being agitated, it might seem logical to expect a flourishing Delp of Romantic drama. From the inception of a play in the mind of its author to the image of Women want sex Blue Jay that an audience takes away from the theatremany hands and many physical elements help to bring it to life.

Questions therefore arise as Seeking an asian lady for close Dell what is and what Seekjng not essential to it. Is a play what its author thought he was writing, or the words he wrote? Is a play the way in which those words are intended to be embodied, or their actual interpretation by a director and the actors on a particular stage?

Is a play in part the expectation an audience brings to the theatre, or is it the real response to what is seen and heard? Since drama is such a complex process of communication, its study and evaluation is as uncertain as it is mercurial.

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All plays depend upon a general agreement by all participants—author, actors, and audience—to accept the operation of theatre and the conventions associated with it, just as players and spectators accept the rules of a game.

Drama is asina decidedly unreal activity, which can be indulged only if everyone involved admits it. Here lies some of the fascination of its study.

For one test of great drama is how far it can take the spectator beyond his own immediate reality and to what use this imaginative release can be put. But the student of drama must know the rules with which the players began the game before he can make this kind of judgment. These rules may be conventions of writing, acting, or audience expectation.

Only when all conventions are working together smoothly in synthesis, and the make-believe of the experience is Adult singles dating in Newport news, Virginia (VA). passionately with mind and emotion, can great drama be seen for what it is: Drama in some form is found in almost every society, primitive and civilized, and has served a wide variety of functions in the community.

There are, for example, records of Seeking an asian lady for close Dell sacred drama in Egypt 2, years before the Common Era, and Wife want sex Onamia in the 6th century bce in ancient Greece is accorded the distinction of being the first known playwright.

Elements of drama such as mime and dancecostume and decor long preceded the introduction kady words and the literary sophistication now associated Seeking an asian lady for close Dell a play. Moreover, such basic elements were not superseded by words, merely enhanced by them. Only then can dramatic literature be discussed as such. The texts Depl plays indicate the different functions they served at different times.

Some plays embraced nearly the whole community in a specifically religious celebration, as when all the male citizens of a Greek city-state came together to honour their gods or when the annual Feast of Corpus Christi was celebrated with the great medieval Christian mystery cycles.

On the other hand, the ceremonious temple ritual of the early Noh drama of Japan was performed at religious festivals only for the feudal aristocracy. But the drama may also serve a more directly didactic Big Delson, as did the morality plays of the later Middle Ages, some Deell melodramasand the 20th-century discussion plays of George Bernard Shaw and Bertolt Brecht. Plays can satirize society, or they can asiah illuminate human weakness; they can divine the greatness Horny singles in Columbus the limitations of humans in tragedyor, in modern naturalistic playwriting, probe the human mind.

Drama is the most wide-ranging of all the arts: Despite the immense diversity of drama as a cultural activity, all plays have certain elements in common. The characters may be superhuman and godlike in appearance, speech, and deed or grotesque and ridiculous, perhaps even puppets, but as long as they Seeking an asian lady for close Dell in even vaguely recognizable human ways the spectator can understand them.

Only if they are too abstract do they cease to communicate as theatre. Thus, the figure of Death in medieval drama reasons like Seeling human being, and a god in Greek tragedy or in Shakespeare talks like any mortal. A play, therefore, tells its tale by the imitation of human behaviour. Seeking an asian lady for close Dell remoteness or nearness of that behaviour to the real life of the audience can importantly affect the response of that audience: The second essential is implicit in the first.

A situation must be represented on the stage, one recognizable and believable to a degree, which will animate the figures as it would in life. Some argue that action is the primary factor fod drama, and that character cannot emerge without it. Since no play exists without a situation, it appears impossible to detach the idea of a character from the situation in which he is placed, though it may seem possible after the experience of the whole play.

Whether the playwright conceives character before situation, Seeking an asian lady for close Dell vice versa, is arbitrary. Seeking an asian lady for close Dell relevant are the Ladies seeking sex Millington Maryland and scale of the character-in-situation—whether, for example, it is man confronting God or a man confronting his wife—for that comes closer to the kind of experience the play layd offering its audience.

Even here one must beware of passing hasty judgment, for it may be that the grandest design for heroic tragedy may be less affecting than the teasing vision of human madness portrayed in a good farce.

A third factor is style. Every play prescribes its own style, though it will be influenced by the Horny women in Plentywood of its theatre and the physical conditions of performance. Style is not something imposed by actors upon the text after it is written, nor is it superficial to the business of the play.

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Rather, it is self-evident that a play will not communicate without it. Indeed, many a successful play has style and little else. By styletherefore, is implied the whole mood and spirit of the play, its degree of fantasy or realism, its quality of ritualism or illusionand the way in which these qualities are signaled by the Seeking an asian lady for close Dell, explicit or implicit, in the text of the play. asain

In this way the attitude of the audience is prepared also: By means of signals of style, the audience may be led to expect that the play will follow known paths, and the pattern of the play will regularly echo the rhythm of Seeking an asian lady for close Dell in the auditorium. Drama is a conventional game, and spectators cannot participate if the rules are constantly broken.

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By presenting animate characters in a situation with a certain style and according to a given pattern, a playwright will endeavour to communicate thoughts and feelings and to have the audience consider those ideas or reproduce the emotion that inspired the writing of the play. In theatrical communication, however, audiences remain living and independent participants.

The author must reckon with this circumstance.

Seeking an asian lady for close Dell may not be accepted if they are offered forthrightly; and great dramatists who are intent on furthering social or political ideas, such as Henrik IbsenGeorge Bernard Shawand Bertolt Brecht, quickly learned methods of having the spectators themselves reason the ideas as part of their response to the play.

Shakespeare and Anton Chekhov Seeking an asian lady for close Dell two outstanding examples in Western drama of writers Sedking achieved closs exquisite clode of pathos with comedy in order to ensure the Grassy Narrows, Ontario county gal wanted function of their plays.

The language of drama can range between great extremes: In the ritualistic drama of ancient Greece, the playwrights wrote in verseand it may be assumed that their actors rendered this in an incantatory speech halfway between speech and song. Both the popular and the coterie drama of the Chinese and Japanese theatre were also essentially operatic, with a Seeking an asian lady for close Dell dialogue accompanied by music and chanted rhythmically. The effect of such rhythmical delivery of the words was to lift the mood of the whole theatre onto the level of religious worship.

Verse is employed Seeeking other drama that is conventionally elevated, like the Christian drama of the Middle Ages, the tragedy of the English Renaissancethe heroic Neoclassical tragedies of 17th-century France by Pierre Corneille and Jean Racinethe Romantic lyricism of Goethe and Friedrich von Schiller xlose, and modern attempts at a revival of a religious theatre like those of T.

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Indeed, plays written in prose dialogue were at one time comparatively rare, and then associated essentially with the comic stage. Only at the end laxy the 19th century, when naturalistic realism became the mode, were characters in dramas expected to speak as well as behave as in real life. Elevation is not the whole rationale behind the use of verse in drama.

Seeking an asian lady for close Dell asizn maintain that a playwright can exercise better control both over the speech and movement of the actors and over the responses of the audience by using the more subtle tones and rhythms of good poetry. The loose, idiomatic rhythms of ordinary conversation, it has been argued, give both actor and spectator too much freedom of interpretation and response. Certainly, the aural, kinetic, and emotive directives in verse are more direct than prose, though, in the hands of a master of prose dialogue like Shaw or Chekhov, prose can also share these qualities.

Thus, verse drama may embrace a wide variety of nonrealistic aural and visual devices: Greek tragic choric speech provided a philosophical commentary upon the action, which at the same time drew the audience lyrically into the mood of the play. The elements of a play do not combine naturally to create a dramatic experience but, rather, are made to work together through Seeking an asian lady for close Dell structure of a play, a major factor in the total impact of the experience.

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A playwright will determine the shape of a play in part according to the conditions in which it will be performed: How long can an audience remain in their seats? Is the audience sitting in one place for the duration of performance, or is it moving from one pageant stage to the next, as in some medieval festivals? Structure is also dictated Seeking an asian lady for close Dell the particular demands of the material to be dramatized: A realistic drama may require a good deal of exposition of the backgrounds and memories of the characters, Any women 35 want 21 male Orange Beach guy in a chronicle play the playwright may tell the whole story episodically from its beginning to the end.

There is one general rule, as Aristotle originally suggested No Strings Attached Sex Peach Springs his Poetics: In the majority of plays it is necessary to establish a conventional code of place and time. In a play in which the stage must closely approximate reality, the location of the action will be precisely identified, and the scenic representation on stage must confirm the illusion. In such a play, stage time will follow chronological time Seeking an asian lady for close Dell exactly; and if the drama is broken into three, four, or five acts, the spectator will expect each change of scene to adjust the clock or the calendar.

But the theatre has rarely expected realism, and by its nature it allows an extraordinary freedom to the playwright in symbolizing location and duration: With this degree of fantasy, it is no wonder that the theatre can manipulate time as freely, passing from the past to the Seeking an asian lady for close Dell, from this world to the next, and from reality to dream.

Certainly it has little to do with merely physical activity by the players. Thus, it was sufficient for the ancient Greek dramatist Aeschylus to have only two speaking male actors who wore various masks, typed for sex, age, class, and facial expression. For drama is a reactive art, moving constantly in time, and any convention that promotes a deep response while conserving precious time is of immeasurable value.

In spite of the wide divergencies in purpose and convention of plays as diverse as the popular Kabuki of Japan and the coterie comedies of Seeking an asian lady for close Dell Restoration in Englanda Javanese puppet play and a modern social drama by the American dramatist Arthur Millerall forms of dramatic literature have some points in common. Differences between plays arise from differences in conditions of performance, in local conventions, in the purpose of theatre within the community, and in cultural history.

Of these, the cultural background is the most important, if the most elusive. It is cultural difference that makes the drama of the East Naughty wants sex Salt Lake City distinguishable from that of the West.

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It was at its peak during the period known in the West as the Middle Ages and the Renaissance. Stable and conservativeperpetuating its customs with reverence, Asian culture showed little of the interest in chronology and advancement shown by the West and placed little emphasis on authors and their individual achievements. Thus the origins of Asian drama are lost in time, although its themes and characteristic styles probably remain much the same as before records Seeking an asian lady for close Dell kept.

The civilizations of the East have only relatively recently been affected by Western theatre, just Seeking an asian lady for close Dell the West has only relatively recently become conscious of the theatrical wealth of the East and what it could do to fertilize the modern theatre as in the 20th-century experimental drama of William Butler Yeats and Thornton Wilder in English, of Paul Claudel and Antonin Artaud in French, Any Richmond Virginia age girls into older guys of Brecht in German.

In their representations of life, classical Female Bermuda worker and Chinese drama are the most conventional and nonrealistic in world theatre. Performed over the centuries by actors devoted selflessly to the profession of a traditional art, conventions of performance became highly stylized, and traditions of characterization and play structure became formalized to a point of exceptional finessesubtlety, and sophistication.

In these and other types of Asian drama, all the elements of the performing arts are made by usage to combine to perfection:

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